Women In Horror Month Has Begun!
Feb. 2nd, 2012 05:56 pmHappy February!
As most Americans know, this is Black History Month. As somewhat fewer folks know, it is also Women In Horror Month. With both of those things in mind, I'm compiling a reading list starting with the late L. A. Banks's Minion and Octavia Butler's Parable of the Sower--both prolific, black, female authors of speculative fiction, and very successful to boot.
I don't know what else I'm putting in the list yet, but I figure that's a start anyway. (Recommendations are very welcome, by the way!) As
rachelmanija is trying to show for the LGBT circuit with the YA Floating Diversity Book Club, there are plenty of options out there. You just have to know where to look.
The issue that we try to bring forward this time of year is the existance of dark, weird, creepy stories written by, about and for women--and I'm not talking about the standard Scream Queen types who always wind up getting rescued by the hero (or not) at the end, usually after losing most of their clothing. I'm talking about real characters, with their own goals and passions, outside of a token appearance as the male hero's trophy or backstory.
There is a huge gender discrepancy not just in characters, but in creators of horror fiction, at least when giving the genre a cursory glance. The recognized "greats" of horror fiction--Stephen King, H. P. Lovecraft, Clive Barker, Bram Stoker, Peter Straub, Robert Bloch, Richard Matheson--are overwhelmingly male, with a few notable excepts such as Mary Shelley, Shirley Jackson and Anne Rice.
Even putting this discrepancy aside, horror is still mostly perceived as a man's genre, just as romance is seen as a woman's genre. Neither of which is true, by the way.
Given that perception, I've wondered sometimes what draws certain people to horror. What compels a woman to write, read or watch horror, when so much of it is so gender-biased and uneven? What draws me to it?
( Read more... )
As most Americans know, this is Black History Month. As somewhat fewer folks know, it is also Women In Horror Month. With both of those things in mind, I'm compiling a reading list starting with the late L. A. Banks's Minion and Octavia Butler's Parable of the Sower--both prolific, black, female authors of speculative fiction, and very successful to boot.
I don't know what else I'm putting in the list yet, but I figure that's a start anyway. (Recommendations are very welcome, by the way!) As
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The issue that we try to bring forward this time of year is the existance of dark, weird, creepy stories written by, about and for women--and I'm not talking about the standard Scream Queen types who always wind up getting rescued by the hero (or not) at the end, usually after losing most of their clothing. I'm talking about real characters, with their own goals and passions, outside of a token appearance as the male hero's trophy or backstory.
There is a huge gender discrepancy not just in characters, but in creators of horror fiction, at least when giving the genre a cursory glance. The recognized "greats" of horror fiction--Stephen King, H. P. Lovecraft, Clive Barker, Bram Stoker, Peter Straub, Robert Bloch, Richard Matheson--are overwhelmingly male, with a few notable excepts such as Mary Shelley, Shirley Jackson and Anne Rice.
Even putting this discrepancy aside, horror is still mostly perceived as a man's genre, just as romance is seen as a woman's genre. Neither of which is true, by the way.
Given that perception, I've wondered sometimes what draws certain people to horror. What compels a woman to write, read or watch horror, when so much of it is so gender-biased and uneven? What draws me to it?
( Read more... )