Review: Us

Apr. 13th, 2019 01:37 pm
glitter_n_gore: (twixt)
I missed seeing Jordan Peele's previous horror film in theaters, and I was not about to make that mistake again--even though this is a little after the initial release. Also, half my workplace has been going, "Have you seen Us yet???" for weeks because I'm one of the known horror aficionados there. I'm excited to finally gush about it.

Us, in a nutshell, is about a family of four being stalked by another family of four who look exactly like them. As plot hooks go, that's enough to get an audience into seats. But, as you can imagine, there is a lot more going on under the surface. I'm still struggling to make sense of it. I mean that in the best possible way.



Once upon a time, there was a girl. . . )
glitter_n_gore: (jean gray)
One thing I promised myself with regards to this movie was I would not get caught up in The Discourse, because there is always Discourse. I wanted the chance to sit with it and enjoy it--or not--on my own terms before the tidal wave of hot takes and bad faith criticism started to roll over everything. This meant pulling back significantly from social media, avoiding any other reviews by professionals and hobbyists alike, and generally turning myself into a virtual hermit more than I generally like to.

Why did I decide to do this? Because not doing so very nearly ruined Wonder Woman for me. It felt like I had a whole two days to actually enjoy the movie, and then all the criticism started to pour in. And because I'm both stubborn and intellectually masochistic, I read A LOT of unfavorable reviews, some of which had salient points worth considering, before I had the chance to write up anything about it myself.


Glowing, floating woman in front of space ship door
Source.


So, it's been two years. We have another female superhero movie from a huge, blockbusting franchise. I refuse to get stuck in The Gauntlet Of Impossible Perfection Superheroines Must Run that their male counterparts do not. It's not fair, and it's not fun. And so far, I've succeeded!

But what did I actually think of Captain Marvel?

I liked it. I really really liked it. )
glitter_n_gore: (Default)
This is one of the best, possibly THE best, comic book movie I've ever seen.

First of all, I'd like to thank the Internet in general for keeping all the spoilers under wraps. My mind was completely blown, over and over, and that's entirely due to how little I knew going in.

That said, I know I'm late to the party here. All my fellow reviewer folks have been collectively singing the praises of Spider-Man: Into the Spider-Verse for months, and I'm just lucky I could find a theater where it was still playing this week. AND now it has an Oscar for Best Animated Feature. Nobody needs me to tell them how great this movie is, because chances are you know. What I didn't know was how emotionally affecting it would be. I'm going to try to dive into why without spoiling things.



Read more. . . )
glitter_n_gore: (xxx)
I'm only six episodes in, but I can't hold it back any longer: I need to gush about The Umbrella Academy.



In sharp contrast to my experience with the Marvel Cinematic Universe, I actually have read the comics this time. There are currently three out of a projected eight graphic novels in Gerard Way and Gabriel Bá's Eisner-winning series. The first volume, "Apocalypse Suite," is the basis for the Netflix show's storyline so far. And guys, I am trying to curb my squee somewhat for the sake of decorum, but I am more excited about this series than possibly anything else that is happening this year.

I think we're alone now... )
glitter_n_gore: (Default)
Here's how predictable I've become at my library: when my hold for this DVD came in, my coworker handed it to me with the words, "Your Chris Hemsworth is here." Yeah, it's pretty obvious why I put this on my list. I have been waiting to make a joke about a "Royale with Extra Cheese" for MONTHS, saving it for when I finally got the chance to watch this movie, because I was so sure it would be a trashy, fun, violent, action thriller in the vein of Versus or Turbo Kid. Turns out, I can't, because Bad Times At the El Royale has a lot more to offer than pulpy goodness.

So, seven strangers arrive at a rundown Lake Tahoe hotel that straddles the state line between California and Nevada. Only a handful of rooms are furnished and clean, there's exactly one staff member handling the check-in, housekeeping, food service, etc., and everyone who signs the guest registry is almost certainly using a false name. As you'd expect, there are secrets here, including a mysterious bag of cash with questionable origins. Everything else took me completely by surprise.



Red or Black )

(Cross-posted to [personal profile] rhoda_rants.)
glitter_n_gore: (jean gray)
HELLO! We made it to 2019 somehow! High-fives all around!

As usual, I'm recapping all the movies I saw in theaters in 2018. As a reminder, this is not a Top Ten, or a Rhoda's Faves list, but every single thing that I saw in theaters. I'm also including Netflix releases that I saw during the week of their initial release, or at least close to it, because well, "new" movies come in multiple formats and access points these days. Which I'm in favor of, by the way!

As is becoming more usual, I saw a few of these on my own this time. I'm slowly getting over my weird hangups about not wanting to go to the theater by myself, and my viewing experience is shinier for it. Huzzah! Actually, going through this list is making me want to rewatch a lot of things, because there were SO many good ones.

Without further ado. . .

Rhoda's 2018 Movie Wrap-Up Post )
glitter_n_gore: (eleven)
The Final Four! First, I want to send out a huge thank-you to everyone who participated in the polling process. It was a new experience for me, and I think it would go smoother once I have a better handle on exactly how to rank things. All things considered, I feel good about the way this countdown turned out. I hope you've all enjoyed reading my thoughts on these episodes as much as I've enjoyed watching and recapping them.

Without further ado, here is the final batch, numbers 10 through 13!

Hell is just Heaven for bad people. )

Everyone take care of yourselves this coming Halloween. And if you're in the US, VOTE!

(Cross-posted to [personal profile] rhoda_rants.)
glitter_n_gore: (stoker)
In case you haven't heard, there is a new adaptation of Shirley Jackson's The Haunting of Hill House out on Netflix, directed by rising horror filmmaker Mike Flanagan. There have previously been two movie adaptations of this story, one of which is more or less faithful to the original novel, and one of which is . . . not.

Flanagan's take on this classic haunted house story is an unusual and highly creative approach. It reminds me of NBC's Hannibal in a way, taking advantage of the fact that the target audience is probably familiar with the source material, and using that familiarity to subvert and exceed expectations at the same time. It's very different from anything I could've expected, but stays true to the Gothic spirit of the original story beautifully.



Now, one thing you may have also heard is Flanagan suggested viewers stop mid-season, and go back and rewatch the first five episodes before moving on. In that spirit, I'm going to review the first half of The Haunting of Hill House, then go back and review the series as a whole. At this point, I have not watched further than Episode 5, "The Bent-Neck Lady."

There will be vague SPOILERS in this post, but only for the first half of the series.

Come home, my love. )
glitter_n_gore: (freddie lounds)
Hey gang! I am not caught up entirely, but I have been introduced to Jodie Whittaker's Doctor, and I loooooove her! Not surprised, but very much impressed. I have a good feeling about this coming season. I hope it doesn't let me down. So far though, so good!

But we're here for a countdown, so let's get into it. This was where it started to get tricky. There were a lot of episodes on the lower end of this list where the numbers were tied, and I had to make a decision. Tried to stay as unbiased as possible, but it wasn't easy. That said, here's 7 through 9!

He is awake. )

Next time: The Final Four!

(Cross-posted to [personal profile] rhoda_rants.)
glitter_n_gore: (Default)
Greetings! It's been a Hell of a week. Who could use a spooky, fandom-centered distraction? I sure could. So here I am with the next part of the Top 13 Scariest Who episodes! Now we're getting into the less obvious shoo-ins for a list like this, the ones that actually needed to be tallied and arranged after consulting the greater fandom. Well, at least those in the greater fandom who responded to my polls. (Speaking of, random shout-out to the one person who actually voted for "Journey to the Centre of the TARDIS" which did not end up making the cut--I see you, and I appreciate you!)

As before, there will be mild spoilers for the following episodes, although I will not give away the actual endings. Also, as a courtesy, I haven't seen the new one yet, so please don't spoil that for me. Also-also, by pure coincidence, these are all Steven Moffat episodes this time.

Onward!

What's that footstep following, but never passing by? )

Next time: picks 7 through 9. See you then!
glitter_n_gore: (eleven)
It is Gothmas season once again, and I'm doing something a little different this year: tallying up the 13 Scariest Episodes of Doctor Who! Why 13? Because we're up to 13 Doctors. (Yes, technically fourteen because of timey-wimey stuff, but never mind that right now.) I polled people on Twitter, and Dreamwidth, and at my work, and this is what we came up with. All episodes were suggested by others and then ranked by vote. I spent the past several weeks reacquainting myself with episodes I already knew and loved, and catching up on the ones I hadn't seen yet.

Note: I didn't specify episodes from the 2005 reboot onward, that's just what people replied with. Which is fine I guess. The older show was playing to a different demographic, even though some episodes were definitely terrifying, shoestring budget effects notwithstanding. (Am I the only one who really loves "Paradise Towers?" Anyone else? Just me?) I might have to do another list at another time just for Classic!Who.

As always, remember that fear is a subjective emotion, so while there is some consensus here, a lot of this is based on individual tastes, phobias, and stuff with a Gothic flavor that's just inescapably cool. Because I did this by polling instead of going with my personal favorites, some that I would've put on my own Top 13 list didn't survive the elimination rounds (such as "The Crimson Horror" and "Under the Lake"), while others wound up a lot higher ranked than I expected.

There were a few clear frontrunners, so I put those at the top of the list. We'll get into the more obscure choices later. Obviously these posts will include SPOILERS spanning all of the New!Who era, although I won't be giving the actual endings of individual episodes away.

All right, let's do this!

Are you my mummy? )

I'll be back next week with numbers 4 through 6. Happy October, everyone!
glitter_n_gore: (Default)
This is one of those movies that puts us reviewer types in the agonizingly difficult position of wanting praise it, but not spoil it, because many of the talking points are huge reveals best experienced if you go in cold. I am not going to spoil anything beyond the basic plot summary, but I will say this: No matter how prepared you think you are, you're wrong.



Read more... )
glitter_n_gore: (jean gray)
A couple days late, but who's counting?

When I first saw this movie back in November 2017, this is what I had to say:

Ragnarok is a queer space opera pride fest made of rainbow fireworks and lightning and I need to see it ten more times.”

Having achieved that (I think--I lost count of my rewatches at 7), I am still not tired of this movie, I still love it to bits, and I want to live in it.

But what I was going to say has been slightly overshadowed by one Tessa Thompson, aka Valkyrie, aka Real Life Badass Warrior Queen, COMING. OUT.



GIF Valkyrie power-walking down the rainbow bridge as fireworks go off behind her
Source.


THAT'S how you drop a mic at the end of Pride Month.

Read more. . . )
glitter_n_gore: (supernatural pride)
Everyone stop what you’re doing and watch this right now. No, really, right now.



One of the remaining virtues of Twitter, and the reason I’m not quite ready to quit it entirely, is because the TL occasionally puts awesome content like this in my path. Hannah Gadsby’s un-comedy special Nanette is witty, brilliant, and breathtaking, and I did not know I needed it so much.

There are a few unspoken assumptions about being an out queer person that I’ve never really seen anyone else talk about the way Gadsby does here. The first is the way we’re obliquely introduced to “our people.” Namely, parades, marches, and other loud, boisterous, crowded events. Her question, “Where do the quiet gays go?” is one I have been asking for YEARS. Because it can be disorienting to say the least to have the only Pride events happening in your city (assuming your city has any at all) be parades and marches, when you’d be much happier at home, under a blanket, with a cup of tea. (I do like the flag though.)

Where do the “quiet gays” go? I’d be all over a Pride Book Club or a Pride Recipe Exchange or any other much lower-key things like that. Just throwing that out there. *ahem*

And then there’s the darker, even more hard-hitting aspect of her show. The persistence of shame. You don’t go from Closet to Proud in one awkward conversation with your parents. It takes decades, and internalized homophobia does not wear off easily. I am always happy to see out and proud folks being out and proud, and I love them for it, but you never see what it took for them to reach that point. The long, hard, slog to self-acceptance is always past-tense. Even when it is still ongoing, it’s treated as if it’s past-tense.

I’m actually struggling with a conundrum in my fiction writing right now, because I keep hearing that we’re supposed to be over the stage of telling stories where queer characters fight to be comfortable in their own skin. And while I’m all for having more happy, contented, proud characters in stories, that other story? The one where the queer characters have to deal with homophobia and self-loathing in real time, and overcome it? I’m not ready to stop telling that story yet. I am still living in that story, and I need fiction to work out a lot of those feelings.

And this. This helps tremendously.

So, Hannah Gadsby: Thank you for your story. Thanks for making me laugh and cry. Thanks for reminding “our people” that we are not alone.
glitter_n_gore: (Default)
Back to the Pride Watch! Today I'm talking about The Neon Demon.



There's a scene in the beginning of this movie where our four central characters--Jesse (Elle Fanning), Ruby (Jena Malone), Sarah (Abbey Lee), and Gigi (Bella Heathcote)--are discussing lipstick colors. Ruby says that, according to market research, women are more likely to buy lipsticks if the name evokes either sex or food. They then ask Jesse what her color would be: "Are you sex, or food?" This is more on the nose on the second watch, by the way.

But just for fun, let's go through Rhoda's favorite lipstick colors and see if this is true:

-Air Kiss (hot pink, glossy)
-Pink Passion (Barbie pink, glossy)
-Red Velvet (classic red, matte)
-Sugar Plum Fairy (deep purple, matte)
-Dare Devil (black, glossy)
-Cherry Bomb (classic red, glossy)
-Gladiolus (classic red, glossy)

...and one with the label worn off that I can no longer read. So, about half and half. Although, fun story: I once got a pack of lip gloss that had NO names, and immediately went through them and gave them names like, "Victorian Seance" (iridescent gold), "Ectoplasm" (no-tint shimmer), and "Carrie's Prom Dress" (shimmery pink). I am still searching for a red lipstick called "Blood of My Enemies." It's out there somewhere. I shan't give up!

This movie's . . . weird. However, I think it’s pushing the proverbial envelope about half as far as it could have. That line where Jesse talks about being a “dangerous girl” is mostly symbolic in context. She’s “dangerous” not because of anything she’s done, but because people become envious, insecure, possessive, and suspicious just by her merely existing as a stunning natural beauty. In other words, Jesse has very little agency. She’s young and beautiful, and people react to her being young and beautiful. Which disappoints me, because I was hoping for a Dorian Gray or Elizabeth Bathory type situation where she had done something unspeakable--and possibly supernatural--to stay that way.

The queerness comes into it when Ruby confesses her feelings for Jesse, but then Jesse doesn’t reciprocate, and that’s when it starts to get ugly. Which is so disappointing, because I was hoping they would actually get together, and I don’t know why director Nicolas Winding Refn decided they shouldn’t. To be fair, changing Ruby and Jesse’s relationship so the attraction isn’t one-sided would completely change the ending, and I do rather like the ending, but here’s the other thing: I’m convinced there are at least two movies in this movie. One is about a young girl trying to make her way through the cutthroat fashion industry, and finds happiness in a sweet romance with a tough and wise makeup artist. The other is about a struggling but ruthless supermodel who devours her competition to stay on top. Literally. I would watch, and love, both of them, but I’m not sure they belong in the same movie.

The Neon Demon is highly stylized and was met with sharply divided opinions when it came out. I’ve watched it twice and I’m not done unpacking it yet. Check it out, and see what you think.
glitter_n_gore: (stoker)
Don't watch this with your family.

Alternatively: Do, but beware that it might be cathartic, or profoundly triggering, depending on what your relationship with your family is like. Either way, this movie will stick to your brain for days.

Also, I think writer/director Ari Aster might share my bizarrely specific fear of open car windows.



The line between "homage" and "derivative" is entirely dependent on the skill of the artist wielding the tools. As is the line between "newcomer" and "dedicated genre scholar who did some serious legwork to debut with something this good." This director knows what he's doing, and it's apparent in his rigid story structure that both adheres to a lot of classic horror tropes, and subverts them at the same time.

Read more... )
glitter_n_gore: (underworld)
God, this movie. . .

Where to begin? It's The Craft, but with dudes. Underworld, but without vampires or werewolves. Supernatural, but not funny. It's also the only chance you'll get to see Gambit fight the Winter Soldier. I have watched this hot mess five times. As a result, this review is probably five times longer than it needs to be.



The story is compelling enough on paper: Four founding families of the Ipswich colony in Massachusetts, plus one that was banished for ~Reasons, are powerful witches who created a covenant of secrecy around their powers so they wouldn't be hunted and burned at the stake. The present day descendants of these founding families all happen to be uniformly good-looking teenage boys all nearing their 18th birthday, after which they will "ascend" to their full powers. This would all be fine except for two things: 1) Magic is highly addictive and takes a physical toll every time they use it, and 2) The descendant of the long-lost banished family is back, and out for revenge.

Read more... )
glitter_n_gore: (Default)
Starring Emily Blunt and Natalie Press, My Summer of Love (2004) is pretty much exactly what it says on the tin: a summer fling love story that just happens to be between two girls. This is one of those rare, but extremely appreciated, cases where the fact that the romance is queer is completely incidental. It’s also interesting that, given the quirkiness and eccentricity on both sides of the romance, in a hetero love story either of them could be the Manic Pixie Dream Girl who shakes up the boy’s boring life and shows him how to enjoy himself. They are both messy, flawed, compelling characters who happen to find each other and fall in love.



That said, the plot summary is so vague and deceptive I wonder if they’re trying to hide the romance on purpose, and why. The blurb on the DVD cover ends like this: “[W]hat started as a magical friendship soon becomes laced with deception and danger.” This is the Focus Features “Spotlight Edition” DVD I’m looking at, if that makes a difference.

Two points. 1) They call the relationship a “friendship.” See, there’s this thing in media where if two women are depicted in a romantic setting with each other, the narrative has to pretty much hit the audience over the head with it in order for them to acknowledge it as anything other than a friendship. See also: Heavenly Creatures, which was blurbed in a similar way; and the Harold They’re Lesbians meme. This movie has multiple kissing scenes, sex scenes, and breathless declarations of love. It could not be more blatant.

2) That “deception and danger” thing made me think again of Heavenly Creatures, in which the two girls become so desperate in their desire to stay together that they straight up murder someone. Yeah, that doesn’t happen here. Tamsin and Mona are both rebellious, impulsive, and have a bit of a mean sense of humor, prone to sometimes destructive pranks, but their actions mostly fall under the umbrella of Rebellious Shenanigans. They don’t get into any serious trouble, basically ever. Which is fine with me, but I wonder if there was some underlying sense of menace that I completely missed. Or maybe this blurb-writer thinks getting high and then crashing Mona’s Bible-thumping brother’s praise band meeting is a more serious offense than I do. Who knows?

Those weird false advertising speed bumps aside, this is a compelling, hazy, and dreamlike depiction of a brief but spellbinding intersection of two lives. Their romance is dazzling and beautiful, but as with all summer romances, doomed to drift away like dandelion seeds.
glitter_n_gore: (xxx)
Happy June!

I’m actually taking this month off from most social media stuff for several reasons, but I do have a watch list, and many things checked out from the library or queued up on NetFlix, so we’re going to have a marathon.

First up: Pariah. Directed by Dee Rees in 2011, this movie is a coming-of-age / coming out story for Aleke, aka “Lee” (Adepero Oduye), who knows she’s a lesbian but doesn’t know how to live her truth yet. This hits a lot of familiar beats for a coming out story--the homophobic parents, the experimentation with someone who wasn’t really that into it in the first place, the struggle with what to tell people at school--but it also feels fresh and organic. We have dozens of coming out stories. But we don’t have another one quite like this.



More specifically, we have a lot of coming out stories centered on white, cisgendered men. The fact that Lee is a butch lesbian from a Black family with traditional Christian roots creates additional nuance and texture for her background. There are expectations on her that I didn’t have put on me, being a white kid from a middle class family. Although I will say that the struggle to choose my own clothing is . . . ongoing. What is this thing certain parents have against tom boy type clothes? Lee sneaks different shirts, hats, and jackets into her school bag to change as soon as possible, and fights for her right to wear pants instead of skirts, and I feel her frustration.

Lee’s also a writer trying to find her voice. Her favorite teacher is incredibly supportive and encouraging, and she pushes Lee to go further, dig deeper, try harder. One of the best pieces of advice I ever got writing-was to write about what scares you. Finding your own voice, owning it, and sharing it with the world is scary. That’s what Lee does in the end, and while it does scare her, it also brings her joy and purpose.

Now honestly, I was half-dreading watching this that something irreparably awful would happen. I always have this fear watching new-to-me movies with explicitly queer characters, because it seems to be inevitable so much of the time. And while there is definitely a fair bit of angst and some tense family scenes that are difficult to watch: this has a happy ending. This is a burst of positivity and light. If you haven’t seen it yet, add it to your watch list.
glitter_n_gore: (bucky)
You know, it's not all roses being an internet reviewer. Often, you can guess at least a little how you're going to feel about a piece of media. If you're going into fangirl mode, you scrounge up presale money and plan outfits for opening weekend. Or, if you suspect it's going to grab you by the throat and give you nightmares, you mentally steel yourself until you feel like you can take it in without it overwhelming you. The thing is, this doesn't normally happen in the same movie.

Avengers: Infinity War, Part 1 was a curve ball. On April 27, I wore my Captain America shirt all day, and went to the movies right after work. By the time I was driving home I was stunned. I spent most of the weekend buried in fix-it fics and yelling "HOW AM I SUPPOSED TO REVIEW THIS?!?!" into the void. Then I said to myself, "Lady, you somehow found a way to review Darren Aronofsky's mother! and finish it in time to have it published in the April edition of Belladonna Horror Magazine. You can handle a spoiler-free review of a superhero blockbuster movie for your DreamWidth blog."

Can I though, world? CAN I?

No Spoilers )

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