My Thoughts on the YA Wars....

Many of you know about the dysfunctional love/hate relationship I have with Twilight. Many more know what a gigantic success that series is, and a trip through any major bookseller will reinforce that success by all the paranormal romantic YA books on prominent display. I've decided to call this trend The Sparkle Phenomenon. If you don't understand that reference, let me direct you to cleolinda's fantastic glossary of all things Twilight: http://cleoland.pbworks.com/Twilight

One of the biggest criticisms directed at Twilight and its successors is the way the female characters are portrayed: they're often bland, weak-willed, and void of personal interests or goals outside of a relationship with some brooding, handsome boy, usually supernaturally inclined in some way, and the boy dictates the terms of the relationship and more in varying degrees of possessiveness and manipulation. The naysayers say these books are antifeminist and put the women's movement back several decades, reigniting the traditional gender roles we've fought so hard against for so long. There's a great essay entitled "YA and Rape Culture" here, which uses as its example Becca Fitzpatrick's Hush, Hush--a "romance" starring a fallen angel that sounds frankly horrifying.

To be perfectly honest, I don't mind fiction that upsets or even terrifies me. I'm a fan of dystopias and supernatural horror after all. The disturbing aspect of these books isn't the action that unfolds between the covers, but the reactions of young readers to them. I have no problem separating fact from fiction in these contexts--I have a zero tolerance policy towards controlling jerks in real life--but what worries me is that so many teenagers don't seem to notice that the relationships in these books are neither normal nor healthy, and often wax poetical over how much they wished they had someone just like Edward, or Patch, to come and sweep them off their feet. Here's another essay on that part of the Sparkle Phenomenon: Do Books Teach or Reveal? And another word from Cleolinda on the subject of bad boys in literature: My thoughts on Twilight, let me show you them. (Scroll down to Point no. 2.)

Amy and Cleo both raise some great points, and this is what I think folks need to keep in mind when they complain about successful books with bland, weak, or even masochistic female leads: There is no lack of strong females in YA literature. Katnis in The Hunger Games; Lyra Belacqua in His Dark Materials; Tally Youngblood in Uglies; I have many, many issues with PC and Kristen Cast's House of Night series, mainly the juvenile vernacular, but I do appreciate Zoey Redbird's stubborn streak and proactive attitude. The good stuff is out there. My point here is that writers of YA fiction have every right to do whatever they want with their worlds. Their job is to entertain, and as a writer, I'd be pretty pissed if someone told me to change the tone or theme of my work just because they didn't like the ideas some kids might get from it. The problem isn't with the books themselves. It's that the overwhelming majority of YA sales are going towards a certain type of book. If teenagers wanted to read about strong females kicking ass with or without a romantic partner, that's exactly what they'd do. The sales would reflect that--and with The Hunger Games, maybe things are already moving in that direction. But for the moment, they're reading about Mary Sue types falling hopelessly in love with big, strong, superheroes who push them around and tell them what to do. That's what worries me, because I don't understand how something like that became so popular in the first place.

I've always gravitated towards strong characters in fiction. Even if they have issues, such as being antisocial or even psychotic, characters who own their identity and get things done are always my favorites. (I'll be blogging about some of my personal favorites soon, but that's another project for another day.) Twilight lost me at the "lion fell in love with the lamb" line--not so much that I quit reading (to my occasional dismay), but that was the moment I realized I could never relate to Bella as a character. Ever. And I discounted her narration as biased and untrustworthy from then on out. If anyone calls me a "lamb" to my face, you can bet I won't take it as a compliment, and I might just have to prove how wrong they are. However, I was raised to own my identity and not let anyone else tell me who I am. Looking at the essay linked in the second paragraph showed me just how rare that is, because I can't see myself following any of the "rules" outlined about how polite females are supposed to behave. I err on the side of standoffish and bitchy (as my ex-boyfriend knows perhaps a little too well), but considering the alternative, I'm kind of okay with that.

What I'm wondering is just how widespread that mindset is. Obviously someone--many someones, all over the face of the globe--believes so strongly that validation by a man is required for one's self worth that they'll delve into a romantic fantasy with that very plot at the center. I know the teenage years are hell on self-worth, but I honestly don't remember feeling unworthy or "less" than my classmates on account of not having a boyfriend. I had crushes--oh, lordy, did I--but I had plenty of other things to occupy my time than pining over them. I've discovered over the years that I'm better than most with self-esteem, but I'd like to hope I'm not completely unique in this.

Anyone else like to chime in on this? I know I've rambled here, but I've been thinking about this a lot lately and wondering where all the attention given to this "romantic" YA trend comes from.